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Push Your Comfort Zone

Sunday, March 23rd, 2025

I am very lucky to have a special group of friends. I’m a week home now, after an epic trip to Karamea and the Kahurangi National Park. Another amazing adventure with ‘The Giants’, a dedicated core of 8 photographic colleagues from all about New Zealand. In what is now an annual adventure, this years pick was a journey through the underworld of Kahurangi National Park. A total buzz with all the physical and mental challenge we had hoped, including camping underground amongst glow worms.

Glow worms at camp, IPOG Caving Kahurangi National Park, March 2025.

Glow worms at camp.

The concept of ‘In Pursuit of Giants’ has evolved, to become something that each of us now embraces with excitment. Initially a bit of a laugh centred around a hunting trip, we are now four years into adventures designed to take us places we would not normally explore. Not only in terms of scenery and opportunity, but also mental and physical exploration. While we never actually set out to design an annual ‘adventure’, we now a self directed mandate to push ourselves annually. The result is not only a creative journey, but also one of personal growth. Professional development crossed with a holiday if you like. We talk a lot of nonsense, have a few drinks, and enjoy a LOT of laughs. All while we take photos, share ideas, video our adventures, and explore what we truly believe is Gods own country.

This trip was mentally and physically challenging, yet equally rewarding. While we may all be a bunch of yahoo’s at times, we also make sure we are well planned, keep ourselves safe, and do things properly. I wont spoil things too much more with too many photos or video, given the movie that will get edited up soon.
Though the essence of the trip was we all met in Christchurch before driving up the West Coast to Karamea. We based ourselves there briefly, before flying by chopper in / out of the Gunner / Heaphy River area of the Kahurangi National Park. There we based ourselves in a bush camp, before setting off for 3 days exploring the extensive Megamnia Cave system. This is a extensive labyrinth of limestone caves, channels, tomos, rivers, chasms and passages deep under the hilly bush. Previous exploration by our guides and other members of the Nelson Speliological Group / NZSS (New Zealand Speliological Society) have been mapped out Megamania to have ~15km of cave tributaries. Just getting from our bush camp to the caves was a trek through thick, virgin bush. Initially easy given the fine weather, but returning from the cave system in the rain afterwards, added new challenges. We were absolutely drenched to the bone, slipping and sliding in the steep bush. Drenched, but despondent. Not a big journey by distance, but navigating the harsh, thick country ladden with kit, was indeed taxing. We needed to cross fallen trees as high as your chect, navigate vines and creepers  forever catching your feet and pack. Despite the fatigue and drenched load adding kilograms I swear, our internal buckets were also overflowing!!
Exploring the depths of Megamania caves, IPOG Caving Kahurangi National Park, March 2025.
Deep in one cavern, Megamania Caves, the size and scale of lies beneath the ground, is quite incredible.
Yet based in the caving system, we were actually very comfortable, making our temporary home on a dirt ledge, tucked under the lip of the massive cave mouth entrance. While damp, it was never wet, and while cool, was never properly cold.

Camping in cave, IPOG Caving Kahurangi National Park, March 2025.

Our cave camp, inside Megamania.

 

We made camp, and set out in groups to navigate the various streams & chasms, guided by four very experienced guides who had volunteered to take our team. To Kieran, Jonathon, Paul and Keith, we are very grateful for your careful guidance and expertise. Thank you.
By the third day of exploration, we were all pretty confident for more than just a localised walk about close to camp. We set of for the adventure we had all hoped, scrambling and hopping over rocks and boulders. Squeezing and twisting, crawling and pushing, we used every muscle we didnt know we had. We abseiled and ascended, tippy toed and slid, stretched and contorted!! The finale of the that exploration was the ‘marble cavern’, full of stalagmites and stalatites, with smooth marble like terraces. I have no idea how long such a landscape may take to create. 100’s of years? 1000’s of years? Or 10,000’s years – it could be all or any of those. What we know though is from the history of caving in this area, less people had made it to this particular set of caverns, than have landed on the moon.
It really need to say that again. Less people had made it to this particular set of caverns, than have landed on the moon. That is simply mindblowing!!!
To see Moa bones, that could be anywhere from 500-2000yrs old alone was incredible. To sleep with glow worms, was mind blowing. The bush and landscape was so very Kiwi, and utterly stunning.
But to share an adventure with such good friends, in such a beautiful part of NZ, with so many laughs, was priceless.
Look out for the movie around Aug this year. We think it could be our best yet.

Moa bones, IPOG Caving expedition, Kahurangi National Park, March 2025.

Moa leg bones.

 

Tony Stewart at Megamania cave, Kahurangi National Park, IPOG trip, March 2025.

Exhausted after a big day crawling, climbing, clambering, sliding, lifting, hauling, ascending, abseliing… into the inner sanctum of the Megamania underworld!!!

Photo by Richard Wood.

 

Nikau palms, Kahurangi National Park, March 2025.

Bush around Kahurangi National Park.

Megamania cave entrance, IPOG caving trip Kahurangi National Park, March 2025.

Vegetation at the Megamania Cave Entrance.

 

 

 

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Approaches to Event Photography

Sunday, February 23rd, 2025

 

I get asked to photograph many functions, and this genre is a big part of what I do. Just what I produce, will depend on just what the client needs. While each event will have its own ‘flavour’, there are certainly many commonalities.

Whether it is a corporate mix and mingle, an industry awards night, or fundraising dinner, it will ultimately come down to what the client requires. It is my experience there are several common requests, that will cover off most requirements for most events that I photograph.

 

a) Produce a record of the occasion, with everyone who was there, the food, the entertainment…

Girls dressed as cowgirls pose at a party.

Kapa Haka performers at corporate awards evening.

Dancer at corporate event.

 

b) Produce material for social media or newsletters, showing how much people enjoyed themselves!

It’s about happy people, and how well they were looked after (before they REALLY start enjoying themselves, if you know what I mean, when there’s an open bar!!!).

This is a really pivotal one to get right.The ability to break into groups politely, to request photos is a skill not to be underestimated. Especially if dignitaries, VIP’s and ‘busy important people’!

The skill of an experienced event photographer will come into its own right here, being able to minimise the disruption to people who would rather be socialising. While politely commanding some attention so all are looking in unison, without blinking, etc! More importantly it comes down to personality. I hope I can work with anyone, from a room full of 2yr olds, through to the Prime Minister. All will be treated respectfully, and with a smile.

Yet most dignataries, councillors, government ministers, CEO’s and the likes, are well used to being asked, and realise the importance of publicity. I must add, this is often without being seen with alcoholic drinks, so this is something I am mindful of when showcasing people at this level.

 

People mix at corporate event, CHCH Town Hall.

Girl smiles at entertainment during corporate function.

New Year 70's themed party at CHCH Casino.

Ladies enjoying a drink at an evening function.

Guets arirve to pre-dinner drinks at corporate awards evening in Rolleston.

 

c) Capture the special awards / groups so we have all the important people, awards, VIP’s & sponsors recorded.

Freemason's of NZ award academic scholarship to prospective tertiary students.

Stage winners received award certifucate at an awards evening.

Hillary Barry as mc at the Selwyn Awards 2023.

 

d) Detail the set up, so organisers can have that noted for future events.

Sometime too, to send as thanks to sponsors, as authentic content for future event pitches (ie next years conference), and quite often as a record for event staff planning future spaces and decor.

Awards night set up before people arrive, Selwyn Events Centre.

Horncastle Arena set up for corporate awards function including sponsors branding.

Sponsors banner Horncastle Arena set up for corporate awards function.

Chef preparing an Awards dinner entree.

 

Awards dinner entree.

 

 

Candid or Posed?

In terms of style, it isn’t uncommon to provide a balance of candid, natural and posed. People love the idea of natural, relaxed. Which is a good job, as I tend to do both!

Young female graduate adorned with bouquets poses outside the CHCH Town Hall.

Winners of Selwyn business award category.

People mingle and laughing at corporate event.

People in candid conversation at a drinks function.

People mix at social event while posing to camera.

 

Key questions I always ask to assist this process are:

– is studio style lighting needing to be set up at a static base, or is coverage all roving?

– how many people / tables / awards are you anticipating?

– who are the main presenters, VIP’s and sponsors that I need to look out for?

– what do you require imagery for, and when? Social media especially will require a quick turnaround, so is always good to have that booked in my schedule as well.

– is there anybody else shooting / recording? Quite often there may be others tasked for specific requirements (ie Snapchat, real time IG, live feeds,…) so it pays not to double up.

– do you have a detailed runsheet? Luckily nearly all corporate events are professional run, and the role of a experienced event planner should never under-estimated for a successful event. Certainly a detailed timeline of events is great, knowing who is doing what, when, so I don’t miss anything,

 

 

I hope that helps outline a little about how I work in the event space, and that this may prove helpful should you be looking at how a professional photographer can add value to an event.

To see more imagery, you can click here.

 

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The Power of Wharariki

Monday, February 10th, 2025

The Power of Wharariki

After a very quick visit last year, I vowed to return to the Archway Islands at Wharariki Beach, on upper West Coast of the South Island. It was of course made ‘famous’ as the Windows 10 screen saver. It has an intriguing ruggedness, and is a landscaper photographer’s magic spot. So this year I took a couple days extra out from camping in Kaiteriteri, and headed up. Im so glad I did, and in the coming weeks I will add a series of photos online in my Fine Art gallery. A few teasers are here in the meantime.

Archway Islands, Wharariki Beach, Upper Sth Is, New Zealand.

Multiple exposure of the Archway Islands Wharariki Beach, Upper Sth Is, New Zealand.

Archway Islands, reflected in sand on Wharariki Beach, Upper South Island, NZ.

Archway Islands, Wharariki Beach, Upper South Island, NZ.

 

Yet little did I expect, then when wrapping and heading back, there was a stranding of Pilot Whales, at Pakawau in Golden Bay to the base of Farewell Spit. About 30 whales had came ashore the night prior. When I passed mid morning, DoC, Project Jonah and local iwi were well involved trying to keep the whales hydrated.

I had never witnessed such an event, though knew this area has always been fraught with stranding. No-one really knows why. Though the shallow draught of Golden Bay, with its fast moving tide is generally thought to catch whales out, as they underestimate its depth. Scientists also think its sandy base is not being overly receptive to whale sonar, making it a double trap. In this case, Project Jonah staff were quite perplexed why the whales seemed confused when refloated, and somewhat reticent to head back out to sea. In this particular case they thought a sick matriarch whale may separated itself, perhaps even coming ashore to die. The rest would seem to have followed, and would also explain why they wanted to stay close.

Pilot whale standing, Golden Bay Jan 2025

Pilot whale stranding, Golden Bay, Upper South Island, New Zealand.

 

I offered to assist where I could, be it dousing whales with water (to avoid sunburn, and maintain hydration). Or if needed I could take photos, should that be beneficial in any way. It turn out that indeed was, with the Cetacean Ecology Research Group (CERG) keen to have a database of the dorsal fins of the whales beached. This would assist them identify and record individuals – many having unique nicks and markings.

 

Pilot whale fin identifier marked by volunteers at stranding, Golden Bay, Upper South Island, New Zealand.

Long story short, these whales beached three times and were refloated each time, before finally returning safely out to sea. There was actually a second pod of eleven beach a day later, plus a lone whale beach separate to both groups. In total there three different stranding groups, each requiring multiple attempts to refloat, over five long days at different parts of the Bay. The massive input from all involved saved the bulk of these beautiful creatures. In part aided by a abundance of holiday makers, with relatively easy access. (I suspect if in winter, if further out on the outer Spit itself, the outcome of any stranding may not always be as successful).

A big thank you must to the volunteers who gave up holiday time, as well as the timely response of DoC, iwi and Project Jonah who swung into gear.

You can read more about the good work of Project Jonah here:

https://www.projectjonah.org.nz/

Rescuers help move a stranded pilot whale, Golden Bay, Upper South Island, New Zealand.

 

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Happy New Year, welcome back!

Wednesday, January 8th, 2025

I enjoy the summer festive break, perhaps in a different way to many. It certainly is a time to celebrate family, and share the joy of Christmas. The break from routine and everyday work is certainly welcome.

Yet as a photographer, I am particularly drawn to the chance to explore the man made spaces otherwise void of human occupation. While somewhat voyeuristic (in a good way!!), I am intrigued by the interaction that man has on the landscape, and what we leave behind in our occupation of that space. I am drawn to the time when most people are off work, that leaves a fascinating void of presence. A narrow window to slip into someone else’s world, and then quickly pop back out before routine and purpose replace the solitude.

To me it is a chance to fill my personal bucket, taking pictures for the sole purpose of the enjoyment of photography. An exploration of space, colour, texture, and form. The study of abandonment, with the intrigue of not actually knowing the narrative of what I am seeing. Who actually lives / works here? What do they actually do? What would have this been like in it’s heyday? Why has this been left and ignored? I think more often than not, leaving more questions than answers, finding some hidden beauty in the unusual.

I hope you may enjoy some of this content here. And if you see a strange fella with a camera lurking in the hidden backstreets of our rougher industrial areas, please don’t call the Police!!!

 

Car on container in an industrial area during Christmas holiday period.

Building facade in old warehouse district, Timaru.

Container next to fence make graphical patterm.

Workers smoko seats next to abandoned crane in an industrial area during Christmas holiday period.

Seawall, Timaru.

Shop closed up during Christmas holiday period, but with rubbish bins out for collection.Old garage.

Zebra pattern graffiti in industrial area.

Looking up at old grain silos in warehouse district, Timaru.

Colourful graffiti in an industrial area during Christmas holiday period.

Food shop closed up in an industrial area during Christmas holiday period.

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OK, What actually is Commercial Photography?

Monday, September 30th, 2024

What is Commercial Photography?

As photographers, we talk about commercial photography as quite a distinct genre. It is referenced on the internet and on my webpage here, so I think it may be important to describe this in a bit more detail.

Though it’s pretty simple really. Commercial photography is really just photographs that businesses use to present themselves to the world. With various aproaches, here are ten popular types of photography within the overall commercial genre.

 

10 Types of Commercial Photography

1. Corporate Photography: Businesses utilize corporate photography for headshots, team photos, and office environments. This style promotes a professional image and reinforces brand identity, essential for websites and marketing materials.This is the sort of material you see on a lawyers home page, or doctors surgery!

2. Event Photography: Capturing corporate events, product launches, and conferences, event photography documents important moments that reflect a company’s culture. These images are valuable for social media and promotional content. Often used to showcase awards, charitable interests, and general celebrations and milestones of a business.

3. Product Photography: This genre focuses on capturing products in a way that highlights their features and benefits. High-quality images are essential for print, whereas e-commerce sites and webpages, generally require low resolution imagery for on-line use. Yet most of the time we will capture high resolution files, just to future proof any need. Product photography often requires studio style lighting, and unless clear cutting (removal of a background to isolate a product), some degree of styling.

4. Architectural Photography: This style emphasizes the design and aesthetics of buildings and structures. It’s vital for architects and developers looking to showcase their work. Though locally, this is often also for building companies, real estate agents, material suppliers, tradespeople & associated industry professionals (such quantity surveyors, engineers, fire system installers…).

5. Lifestyle Photography: Often used in advertising, lifestyle photography captures people interacting with people or products in real-life scenarios. Generally this style of photography is about promoting a concept, more than a literal portrayl of good themselves. For example, retirement living that promotes contentment and friendship, or insurance protection that conveys peace of mind. A lot of alcohol branding would also fit this with images of socialising, sexiness, exciting adventures… This style aims more to evoke emotions and convey brand narratives. This may also straddle other genres such as product, food, people… so it can get a bit confusing!

6. Food Photography: Really just imagery for restaurants, takeaway outlets or online food brands. The aim of food photography can be either an accurate captures dishes (ie if you buy, this is what you get), or in most cases, visually appealing interpretations of food to really ‘sell the sizzle’! Here photographic skills such as styling, lighting, and composition are all crucial in making food look appetizing and inviting.

7. Editorial Photography: Often used in magazines and online publications, the purpose of editorial photography is to tell a story, or conveys a message as a record of real events. Often used to cover a range of subjects, from portraits to travel, it is commonly used as visual context for written content. Quite often this approach is in a documentary style, and if used in a purely news context, it is accepted that imagery must not be manipulated. Accuracy of representation is important. Again, in a looser commercial sense, this may also be used as a medium for lifestyle, product, or food imagery. Previously this genre was very popular for photographers taking stock photos. Self initiated imagery taken without a set purpose / buyer, that was onsold via a licence and usage fee, held as part of a library promoted by an agent.

 

Equally valid genres of commercial photography, but ones that I myself are less involved in, are the following:

8. Real Estate Photography: This genre focuses on capturing properties in their best light to attract buyers. Techniques like wide-angle shots and aerial photography provide comprehensive views of listings.

9. Automotive Photography: This specialized field highlights vehicles, focusing on design, performance, and lifestyle. High-quality images are essential for car brands and dealerships to attract potential buyers. Yet also related local services such as panel beaters, insurers, tyre vendors, custom workshops…

10. Fashion Photography: This type showcases clothing and accessories, often featuring models in dynamic poses. From editorial shoots for magazines to look books for brands, fashion photography helps convey the latest trends and styles. Locally however, this is often for model folio’s for new models looking at boosting their presence in the industry.

 

Each type of commercial photography serves a distinct purpose, helping brands connect with their audiences and convey their messages effectively. Sometimes these may be offered by a photographer as a complete specialty, especially in larger cities. Some years ago I was lucky to visit LA on a photographic scholarship. I was amazed that in such a dynamic and busy city, it was possible for people to be extremely specialised. Many were able to earn a respectable living from quite narrow fields. For example, kitchen interiors, packaged wine products, vintage cars… Here in Christchurch though, the demand for some specialties is not huge. Subsequently, many photographers like myself tend to straddle a greater range.

I hope this helps takes away some of the mystery when photographers like myself start talking about being a commercial photographer.

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Framed Photographic Prints

Sunday, August 25th, 2024

Framed Fine Art Photographic Prints by Tony Stewart, Crafted by Queensberry.

I recently received some fine art prints back from my Auckland lab, that are just exquisite! I am most indebted to Queensberry for their professionalism in producing my fine art products. Not only for the quality of printing and framing, but for their careful packaging as well. (Something easily overlooked when sending fragile prints and glass around the countryside!!).

It is so important that when supplying high quality photos like the wall art seen here, that the relationship between photographer and printer is well understood. They know what I like, and I trust them to produce the very best printed product, that gets sent direct to clients all ready to display. While that seems simple, the partnership with Queensberry is the result of investment at many levels. Hopefully my kit and skill set complement the investment that Queensberry have made in all their products and machinery. Using the best materials available, I know their print and framing process is quality checked along many waypoints. Knowing that my skill set is best left to crafting photographs, I have complete faith that they are the experts in printing and framing.

By the time clients receive their wall art, they will have received a stunning piece of art, overseen by a number of clever professionals. It really is a team effort.

I hope you can see the skill, passion and dedication oozing through these prints!!

NZIPP Grand Master Tony Stewart holds fine art print made by Queensberry.

Rakaia

Printed on Fine Art paper, unmatted with large white border, standard black frame 10x30in, within glass.

NZIPP Grand Master Tony Stewart holds fine art framed print made by Queensberry.

Home Hills Cookhouse.

Printed on Fine Art paper, unmatted with large white border, standard black frame 10x40in, within glass.

Queensberry fine art printing for Tony Stewart.

Finished products on the work table at Queensberry.

Queensberry fine art print for Tony Stewart.

Queensberry fine art framing for Tony Stewart.

Queensberry fine art frame for Tony Stewart.

You can see the full range of fine art prints available here.

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NZIPP Sony Iris Awards 24

Friday, August 9th, 2024

The Depth of Talent, Judging, and Creative Photography at the 2024 NZIPP Sony Iris Professional Photography Awards

The 2024 NZIPP Sony Iris Professional Photography Awards wrapped up at the end of last week. As New Zealand’s premier professional photography awards, the depth of talent on display was again mindblowing. How people continue to push their creative boundaries and redefine excellence, never ceases to amaze me. I find it hard enough thinking of ideas, let alone producing such highly crafted work.

The Power of Creativity

Photography is more than just capturing moments. It’s about telling stories, evoking emotions, and transforming the ordinary into the extraordinary. Looking at the award winners, across all genres from portraiture and landscape, to documentary and illustrative, that for a small country, we indeed have some ‘clever cookies’!

The Judging Process: Rigorous and Reflective

The judging process at the Iris Awards while not perfect, is as democratic and rigorous as you can create.

A panel of 5 judges, comprised of industry veterans and past award winners, balanced between NZ and overseas guests, meticulously evaluate each entry across several categories, across several judging rooms. Images are inspected first up close, in silence. Then, pending what initial scores have been entered into the judging system,  it is likely that some discussion will then arise. Once that discussion has been bantered about, a final score is computated. This process is adjudicated by a Panel Chair based around a set of rules and criteria that provide fairness of discussion and time.

An overall score is granted, that should reflect the image’s technical proficiency, originality, composition, and / or emotional response.

In 2024, the judges faced the daunting task of selecting winners from a pool of submissions that were not only technically rich, but also creatively diverse. The range in style does require judges to approach each piece with an open mind, ensuring that they honour the photographer’s intent for each piece, while also upholding the standards of the competition.

Though more than an award platform in its own right, the Iris Awards apart is as much about educational value. The judging sessions are also streamed on line, and are open for the public to attend. The hope is that the judge discussion can facilitate learning, as much as deriving an outright score itself. llowing aspiring photographers to gain insights into what makes a winning image. The aim is that through openness, there may be a greater sense of community and continuous learning, as photographers can see firsthand how their work is critiqued and where improvements can be made.

 

Celebrating the Winners

The 2024 awards ceremony was a celebration of not just the winners, but of all who participated. The diversity of work presented at the event highlighted the rich tapestry of stories and perspectives that New Zealand photographers bring to the global stage.

Among the winners, several photographers stood out for their unique approach to their craft. The 2024 Photographer of the Year award went to Richard Wood, whose portfolio demonstrates an unparalleled mastery of light, composition, and narrative. Richard’s work is a testament to the power of photography as a medium of artistic expression.

 

The 2024 NZIPP Australian Photographer of the Year award went to a name familar to us all, Tony Hewitt.

 

Another highlight was the inaugural Amateur Photographer of the Year, a category that recognizes non professional talent. That winner was Les Rackham.

Les Rackham, NZIPP Amateur Photographer of the Year 2024. Les Rackham, NZIPP Amateur Photographer of the Year 2024. Les Rackham, NZIPP Amateur Photographer of the Year 2024.

The Future of Photography

For those who participated, judged, or simply admired the work on display, the 2024 awards served as a highlight of our annual calendar, of what is possible when passion meets creativity. It’s a bright future for photography, and the NZIPP Sony Iris Awards are at the forefront of that exciting journey. Till we all do it again next year!

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